5 Ocak 2011 Çarşamba

Ayvalik Churches

Church of Agios NikolasChristian cemetery opposite. According to 1817 census on the island had seven monasteries were built later, the island's north east, lying at the top of the bit in the direction of Ayvalik "Evangelistriya" nuns abbey had reached number eight. This is a very solid stone to the monastery was garlic. Recently been demolished by the owners.
Church of Agios IoannisFour on the left wall of the hill stands at the entrance to the island. Did not stay in something. Three saw a sea of position. Here is called Lovers Hill
Panaghia ChurchGrocery street at the beginning, the church had two and a half wall. The second time was built in 1850.
Taksiyarhis ChurchThe church was built in 1873, the island was used as the central church. Embroidered garlic stones attract attention. According to the rumors that the Orthodox churches around the world olives, olive oil soap and met the need. Second World War approached in 1836 by subtracting from the church Taksiyakis Bell, lead in war at the top of the first introduced to the public notice for the submission of Ayvalik. The bell was built on the producer's name and address of the factory in Germany with the Greek as "Ali.Ağa Baltazi EA 1863," there is registration. The bell of Cologne, Germany that claimed the world's largest bell in the bell was bigger and had more severe. The bell is not a museum in the 1980s, Ayvalik, Pergamon Museum, was taken to be exhibited.
This church is the Christian community and many other tarfından been restored, but all attempts to make it available again by the relevant institutions were inconclusive.
Location, the first town of the city's Christians and Muslims lived together. Around the street carrying the non-neoclassical features are integrated with the architectural texture of typical homes. Architectural features of the church, inside ceiling marble quarries süslemelri religious topics, describing pictures of Jesus from birth to death, with portraits of the saint made of fish skin intact on the most remarkable artifact

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